Produced by
Jim Dickinson and
Joe Hardy,
Dan Stuart and
Chuck Prophet finally cracked the Memphis sound by steeping themselves in the environment and surrounding themselves with the musicians who made their name there. From the get-go,
Prophet's guitar is the cornerstone to the
Let It Bleed mood that fires this record from "Keith Can't Read" throughout, though it ends up with the very
Neil Young-like "D.T. Blues."
–
Denise Sullivan, Rovi