waited nearly five years to deliver her third album, but considering that she was essentially growing up -- it was the equivalent of spending time in college -- when she came back with an eponymous record in the summer of 2001, she came back strong. Aaliyah
isn't just a statement of maturity and a stunning artistic leap forward, it's one of the strongest urban soul records of its time. Where such peers as Macy Gray
and Jill Scott
work too hard to establish their ties with classic soul, Aaliyah
revels in the present, turning out a pan-cultural array of sounds, styles, and emotions. This sound is entirely unfamiliar -- part of the pleasure is how contemporary it sounds -- but she sounds just as comfortable within the sonicscapes of Timbaland
as Missy Misdemeanor Elliott
and, possibly, less self-conscious. Aaliyah
never oversings, never oversells the songs -- this comes on easy and sultry, and there's a lot of substance here, in terms of the songwriting and the songs themselves. Urban albums rarely come any better than this, and there haven't been many records better than this in 2001, period.