received the scorn of critics and strident hip-hop musicians, both of whom accused them of cultural pirating, especially since they began as a hardcore punk group in 1981. But
weren't pirating -- instead, they treated rap as part of a post-punk musical underground, where the D.I.Y. aesthetics of hip-hop and punk weren't that far apart. Of course, the exaggerated b-boy and frat-boy parodies of their unexpected hit debut album,
, didn't help their cause. For much of the mid-'80s,
were considered macho clowns, and while they dismissed that theory with the ambitious,
, it was ignored by both the public and the press at the time. In retrospect,
was one of the first albums to predict the genre-bending, self-referential pop kaleidoscope of '90s pop.
, where they played their own instruments.
back to the top of the charts, and within a few years, they were considered one of the most influential and ambitious groups of the '90s, cultivating a musical community not only through their music, but with their record label, Grand Royal, and their magazine of the same name.
It was a remarkable turn of events for a group whose members demonstrated no significant musical talent on their first records. All three members of the Beastie Boys
-- Mike D
(b. Mike Diamond
, November 20, 1966), MCA
(b. Adam Yauch
, August 5, 1965; d. May 4, 2012), and Ad-Rock
(born Adam Horovitz
, October 31, 1967) -- came from wealthy middle-class Jewish families in New York and had become involved in the city's punk underground when they were teenagers in the early '80s. Diamond
formed the Beastie Boys
with drummer Kate Schellenbach
and guitarist John Berry
in 1981, and the group began playing underground clubs around New York. The following year, the Beasties
released the 7" EP Pollywog Stew
on the indie label Rat Cage to little attention. That same year, the band met Horovitz
, who had formed the hardcore group the Young and the Useless. By early 1983, Schellenbach
had left the group -- they would later join Luscious Jackson
and Thwig, respectively -- and Horovitz
had joined the Beasties
. The revamped group released the rap record "Cookie Puss" as a 12" single later in 1983. Based on a prank phone call the group made to Carvel Ice Cream, the single became an underground hit in New York. By early 1984, however, they had abandoned punk and turned their attention to rap.
In 1984, the Beasties
joined forces with producer Rick Rubin
, a heavy metal and hip-hop fan who had recently founded Def Jam Records with fellow New York University student Russell Simmons
. Def Jam officially signed the Beastie Boys
in 1985, and that year they had a hit single from the soundtrack to Krush Groove
with "She's on It," a rap track that sampled AC/DC
's "Back in Black" and suggested the approach of the group's forthcoming debut album. The Beasties
received their first significant national exposure later in 1985, when they opened for Madonna
on her Virgin
tour. The Beasties
taunted the audience with profanity and were generally poorly received. One other major tour, as the openers for Run-D.M.C.
's ill-fated Raisin' Hell
trek, followed before Licensed to Ill
was released late in 1986. An amalgam of street beats, metal riffs, b-boy jokes, and satire, Licensed to Ill
was interpreted as a mindless, obnoxious party record by many critics and conservative action groups. That didn't stop the album from becoming the fastest-selling debut in Columbia Records' history, however, as it sold over 750,000 copies in its first six weeks.
Much of the album's success was due to "Fight for Your Right (To Party)," which became a massive crossover single. In fact, Licensed to Ill
became the biggest-selling rap album of the '80s, which generated much criticism from certain hip-hop fans who believed that the Beasties
were merely cultural pirates. On the other side of the coin, the group was being attacked from various factions on both the left and the right, who claimed the Beasties
' lyrics were violent and sexist and that their concerts -- which featured female audience members dancing in go-go cages and a giant inflatable penis, similar to what the Stones
used in their mid-'70s concerts -- caused even more outrage. Throughout their 1987 tour, they were plagued with arrests and lawsuits, and were accused of inciting crime.
While much of the Beasties
' exaggeratedly obnoxious behavior started out as a joke, it became a self-parody by the end of 1987, so it wasn't a surprise that the group decided to revamp its sound and image during the next two years. During 1988, the Beasties
became involved in a bitter lawsuit with Def Jam and Rick Rubin
, who claimed he was responsible for their success and threatened to release outtakes as their second album. The Beasties
finally broke away by the end of the year and relocated to California, where they signed with Capitol Records. While in California, they met the production team the Dust Brothers
, and they convinced the duo to use their prospective debut album as the basis for the Beasties
' second album, Paul's Boutique
. Densely layered with interweaving samples and pop culture references, the retro-funk-psychedelia of Paul's Boutique
was entirely different than Licensed to Ill
, and many observers weren't quite sure what to make of it. Several publications gave it rave reviews, but when it failed to produce a single bigger than the number 36 "Hey Ladies," it was quickly forgotten about.
Despite its poor commercial performance, Paul's Boutique
gained a cult following, and its cut-and-paste sample techniques would later be hailed as visionary, especially after the Dust Brothers
altered the approach for Beck
's acclaimed 1996 album, Odelay
. Still, the record was declared a disaster in the early '90s, but that didn't prevent the Beasties
from building their own studio and founding their own record label, Grand Royal, for their next record, Check Your Head
. Alternating between old-school hip-hop, raw amateurish funk, and hardcore punk, Check Your Head
was less accomplished than Paul's Boutique
, but equally diverse. Furthermore, the burgeoning cult around the Beasties
made the album a surprise Top Ten hit upon its spring 1992 release. "Jimmy James," "Pass the Mic," and "So Whatcha Want" were bigger hits on college and alternative rock radio than they were on rap radio, and the group suddenly became hip again.
Early in 1994, they collected their early punk recordings on the compilation Some Old Bullshit
, which was followed in June by their fourth album, Ill Communication
. Essentially an extension of Check Your Head
, the record debuted at number one upon its release, and the singles "Sabotage" and "Sure Shot" helped send it to double-platinum status. During the summer of 1994, they co-headlined the fourth Lollapalooza festival with the Smashing Pumpkins
. That same year, Grand Royal became a full-fledged record label as it released Luscious Jackson
's acclaimed debut album, Natural Ingredients
. The Beasties
' Grand Royal magazine was also launched that year.
Over the next few years, the Beasties
remained quiet as they concentrated on political causes and the machinations of their record label. In 1996, they released the hardcore EP Aglio e Olio
and the instrumental soul-jazz and funk collection The In Sound from Way Out!
Also that year, Adam Yauch
organized a two-day festival to raise awareness about the plight of Tibet, and the festival went on to become an annual event. The Beastie Boys
' long-awaited fifth LP, Hello Nasty
, finally appeared during the summer of 1998 and became their third chart-topping album. A longer wait preceded release of their next record, To the 5 Boroughs
, which appeared in mid-2004. In 2005, Capitol issued Solid Gold Hits
, a 15-track survey of the Beasties
' lengthy career. One year later, the band released a concert film titled Awesome: I Fuckin' Shot That!
, which had been pieced together from footage shot by 50 DV and Hi-8 cameras that had been distributed to fans. The DVD version appeared in July of that year.
An instrumental album, The Mix-Up
, continued the band's prolific activity in 2007 and garnered a Grammy Award the following year. The Beastie Boys
returned to rap with Hot Sauce Committee, Pt. 1
, parts of which were previewed during the band's performance at the 2009 Bonnaroo festival, but the album ended up unreleased in the wake of Yauch
's announcement that he had cancer. He underwent successful surgery and radiation treatment, and the band announced late in 2010 that Hot Sauce Committee, Pt. 2 (including virtually all the material intended for the first volume) would be released in 2011. They made good on their promise; the album appeared in May, and was positively received both critically and commercially. One year later, however, in May of 2012, Yauch
finally succumbed to his cancer.