translated his easygoing Gulf Coast persona into more than just a successful recording career -- he expanded into clothing, nightclubs, and literature -- but the basis of the business empire that kept him on the Fortune magazine list of highest-earning entertainers was his music. Born in southern Mississippi and raised in Alabama,
moved to Nashville to try to make it in country music in the late '60s. After signing to the Barnaby label, he released one album, 1970's
, from which the socially conscious single "The Christian?" suggested he might be more at home protesting in Greenwich Village. (Barnaby "lost" his second album,
, though they would find it and release it after he became successful.) Instead, the songwriter moved to Key West, FL, where he gradually evolved into the beach-bum character and developed the tropical folk-rock style that would endear him to millions.
Signing to ABC-Dunhill Record (later absorbed by MCA), Buffett
achieved notoriety but not much else with his second (released) album, White Sport Coat and a Pink Crustacean
(1973), which featured a song called "Why Don't We Get Drunk" ("...and screw?" goes the chorus). Buffett
revealed a more thoughtful side on Living and Dying in 3/4 Time
(1974), with its song of marital separation "Come Monday," his first singles-chart entry. But it took the Top Ten song "Margaritaville" and the album in which it was featured, 1977's Changes in Latitudes, Changes in Attitudes
, to capture Buffett
's tropical world view and, for a while, turn him into a pop star.
By the start of the '80s, Buffett
's yearly albums had stopped going gold, and he briefly tried the country market again. But by the middle of the decade, it was his yearly summer tours that were filling his bank account, as a steadily growing core of Sun Belt fans he dubbed "Parrotheads" made his concerts into Mardi Gras-like affairs. Buffett
launched his Margaritaville line of clothes and opened the first of his Margaritaville clubs in Key West. He also turned to fiction writing, landing on the book bestseller lists.
His recording career, meanwhile, languished, though a hits compilation sold millions; a 1990 live album, Feeding Frenzy
, went gold; and a 1992 box-set retrospective, Boats, Beaches, Bars, and Ballads
, became one of the best-selling box sets ever. Buffett
finally got around to making a new album in 1994, when Fruitcakes
became one of his fastest-selling records. It was followed in 1995 by Barometer Soup
and Banana Wind
in 1996. The following year, Buffett
began working on a musical adaptation of Herman Wouk's novel Don't Stop the Carnival with the author himself. After Broadway producers expressed little interest, the production ran for six weeks in Miami during 1997. In spring of 1998, Buffett
released a collection of songs from the production as he began mulling over the idea of taking the play on the road. In 1999 he released Beach House on the Moon
as well as Live: Tuesday/Thursday/Saturday
During the first few years of the millennium, Buffett
's newly launched Mailboat label issued close to a dozen concert recordings, as well as the 2002 studio album Far Side of the World
. Two years later, Buffett
allowed RCA to distribute his second Mailboat studio album, License to Chill
. Live albums recorded in Hawaii and Boston appeared in 2005, followed by an all-new collection of songs called Take the Weather with You
in 2006 and two more live sets, Live in Anguilla
in 2007 and Feeding Frenzy: Live in 2008. In 2009, Buffett
released Buffet Hotel
, his first new studio album in years.