Immensely popular in his native Canada, singer/songwriter Bruce Cockburn
has found only cult success south of the border, in spite of a rich, varied body of work and considerable critical nods. He has won numerous Juno Awards and has kept the quality control on most of his albums at a high level. Cockburn
's first decade of work (1970-1979) is largely literate, singer/songwriter folk-rock, often with a strong Christian tone and mystical, devotional lyrics. In 1979, Cockburn
had his only major U.S. single, "Wondering Where the Lions Are," which peaked at number 21. The accompanying album, Dancing in the Dragon's Jaw
, saw him augmenting his music with worldbeat rhythms, an approach he would continue over his next few albums. Cockburn
toned down his Christian viewpoint for much of the 1980s, partially as a way of disconnecting himself from the American religious right, which he found antithetical to his own spiritual beliefs, and partially to concentrate on more humanitarian, political subject matter. In 1984, Cockburn
produced an AOR hit, "If I Had a Rocket Launcher," whose accompanying video depicted conditions in war-torn Central America and gained a fair amount of MTV play.
's later 1980s work took on a more streamlined rock sound, and his political agenda was weighted toward environmental concerns, as well as oppression. In the 1990s, Cockburn
returned to a more introspective feel recalling his earlier work, but moved toward a more global and political perspective with the issue of the angry and polemical You've Never Seen Everything
in 2003. Speechless
from 2005 was an all-instrumental affair, showing off the artist's skill on guitar, while the next year's Life Short Call Now
showed an artist at the prime of his musical maturity. A live set, Slice O Life: Bruce Cockburn Live Solo
, arrived in 2009. After a brief tour, Cockburn
returned to the studio in 2010, where he finished work on a new collection entitled Small Source of Comfort, which was released in early 2011; the set is an intimate set of songs and guitar-based instrumentals (including the live but never recorded Cockburn
standard "The Gift"). The album was produced by Colin Linden and features violinist Jenny Scheinman.