Active during a period of jazz history when it seemed radical innovation was a thing of the past,
nevertheless coalesced various stylistic elements from disparate eras into a personal and forward-seeking style. While not an innovator in a macro sense,
has unquestionably charted his own path. His playing contains not an ounce of glibness, but possesses in abundance the sense of spontaneity that has always characterized the music's finest improvisers.
doesn't adopt influences -- he absorbs them -- so that when playing a standard, he exudes the same sense of abandon as when playing totally free (which, it should be pointed out, he does well, if infrequently).
's most significant achievement is his incorporation of free and modal expressive devices into traditional chord-change improvisation.
Lovano is the son of the respected Cleveland saxophonist Tony "Big T" Lovano.
Joe started playing alto sax as a child, taught by his father, who also introduced him to jazz. In his youth,
Joe would hear many of the prominent jazz artists who passed through town, including
Dizzy Gillespie,
James Moody,
Sonny Stitt, and
Rahsaan Roland Kirk.
Lovano began playing in jam sessions around Cleveland while still in his teens. Although thoroughly steeped in bebop, he also developed an interest in the jazz experimentalism of the 1960s, listening to such musicians as
John Coltrane,
Jimmy Giuffre, and
Ornette Coleman. Following high school,
Lovano moved to Boston and attended the Berklee School of Music. Fellow students included such future collaborators as
John Scofield,
Bill Frisell, and
Kenny Werner. While at Berklee,
Lovano discovered modal harmony and opened up to the broad areas of tonal freedom that he found so attractive in the music of
John Coltrane, among others.
After leaving Berklee,
Lovano worked with organists
Lonnie Smith (with whom he made his recording debut) and
Jack McDuff. He toured with
Woody Herman from 1976-1979. After leaving
Herman,
Lovano settled in New York City, where he quickly established himself. He joined drummer
Mel Lewis' orchestra in 1980; he played the band's regular Monday night gigs at the Village Vanguard until 1992. He also recorded several times with the band.
Lovano would also work with
Elvin Jones,
Carla Bley,
Lee Konitz,
Charlie Haden, and
Bob Brookmeyer, among others. He joined drummer
Paul Motian's band in 1981 (which also included his Berklee classmate
Frisell), and played with guitarist
John Scofield's quartet.
Lovano began leading dates for Blue Note in the '90s, and continued doing so throughout that decade and into the next, recording in a variety of contexts ranging from trios to larger woodwind and brass ensembles.
Lovano's wife, vocalist
Judi Silvano, has appeared on a number of the saxophonist's Blue Note releases, including 1992's Universal Language and 1994's Rush Hour.
Lovano has received a number of Grammy nominations for his work on Blue Note. His 1996 album
Quartets: Live at the Village Vanguard was named Jazz Album of the Year by readers of Down Beat magazine.
Since then,
Lovano has split his time in the studio between releasing impressive original recordings and albums reinterpreting the work of artists who have influenced him, including vocalist
Frank Sinatra on 1996's
Celebrating Sinatra (on which
Judi Silvano also appeared), various bop-era stalwarts including pianist
Tadd Dameron on 2000's
52nd Street Themes, and opera tenor
Enrico Caruso on 2001's
Viva Caruso. In 2004, the always unpredictable reedman released the ballads album
I'm All for You, featuring pianist
Hank Jones.
Joyous Encounter followed in spring 2005 with
Streams of Expression appearing on Blue Note a year later.
Lovano once again paired up with
Jones for the live duets album
Kids: Duets Live at Dizzy's Club Coca-Cola in 2007. A year later,
Lovano appeared alongside the WDR Big Band and Rundfunk Orchestra on Symphonica. In 2009, he delivered the album Folk Art, featuring his Us Five quintet. Two years later,
Lovano celebrated his 20-year association with Blue Note by releasing the Charlie "Yardbird" Parker tribute album Bird Songs. In 2012,
Lovano returned with his third album featuring the Us Five quintet, Cross Culture.
–
Chris Kelsey, Rovi