was a highly original piano stylist and a composer of tremendous imagination and eclecticism. He wasn't known widely enough to exert much influence in either department, but his music eventually attracted a rabid cult following, though not quite the wide exposure it deserved.
was born January 3, 1919, in New York and began playing piano at age nine, later studying at C.C.N.Y. After serving in World War II, Nichols
played with a number of different groups and was in on the ground floor of the bebop scene. However, to pay the bills he later focused on Dixieland ensembles; his own music -- a blend of Dixieland, swing, West Indian folk, Monk
-like angularity, European classical harmonies via Satie
, and unorthodox structures -- was simply too unclassifiable and complex to make much sense to jazz audiences of the time. Mary Lou Williams
was the first to record a Nichols
composition -- "Stennell," retitled "Opus Z," in 1951; yet aside from the song he wrote for Billie Holiday
, "Lady Sings the Blues," none of Nichols
' work got enough attention to really catch on.
He signed with Blue Note and recorded three brilliant piano trio albums from 1955-1956, adding another one for Bethlehem in late 1957. Nichols
languished in obscurity after those sessions, though; sadly, just when he was beginning to find a following among several of the new thing's adventurous, up-and-coming stars, he was stricken with leukemia and died on April 12, 1963. In the years that followed, Nichols
became a favorite composer in avant-garde circles, with tributes to his sorely neglected legacy coming from artists like Misha Mengelberg
and Roswell Rudd
. He also inspired a repertory group, called the Herbie Nichols Project
, and most of his recordings were reissued on CD.