Miho Hatori
 | Born |
| Active Decades | |
| 19001020304050607080902000 | |
With Cibo Matto, as a collaborator, and in her solo work, Miho Hatori has always displayed an eclectic, playful touch that's worldly in the best sense of the word: fusing her love of everything from bossa nova to hip-hop to metal and rock with her Japanese heritage, Hatori's musical excursions sound equally well-traveled and organic.
Growing up in Tokyo, Hatori worked at a record store and also spun records as a DJ; early on, she gravitated toward hip-hop, rapping with a group called Kimidori. After moving to New York City in 1993, she quickly became a fixture in the local music scene, singing and playing violin with Leitoh Lychee, a punk band that also counted another Japanese expatriate, Yuka Honda, among its members. The pair eventually became Cibo Matto and released two genre-defying albums, 1996's Viva! La Woman and 1999's Stereo Type A. In between Cibo Matto albums, Hatori also worked with the New York indie supergroup Butter 08 on their 1996 self-titled album, and appeared on The Beastie Boys' Hello Nasty.
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Growing up in Tokyo, Hatori worked at a record store and also spun records as a DJ; early on, she gravitated toward hip-hop, rapping with a group called Kimidori. After moving to New York City in 1993, she quickly became a fixture in the local music scene, singing and playing violin with Leitoh Lychee, a punk band that also counted another Japanese expatriate, Yuka Honda, among its members. The pair eventually became Cibo Matto and released two genre-defying albums, 1996's Viva! La Woman and 1999's Stereo Type A. In between Cibo Matto albums, Hatori also worked with the New York indie supergroup Butter 08 on their 1996 self-titled album, and appeared on The Beastie Boys' Hello Nasty.
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